As the title implies, yes everyone can write a review. I figured this may be a more interesting idea than everyone waiting for me to write one or two reviews a month. What you do is post your review in this thread, at whenever you want. Then I will link it to this post (it will be organized by author). Pretty simple, huh? Still, there must be some sort of rules.

Guidelines:

1) You may write a review on any album, concert or DVD (music related)

2) There is no specific layout you have to follow, but it is necessary to include the album cover & title, track list and a rating.

3) Do not plagarize. We want your opinion, not somebody elses.

4) You may discuss any of the reviews in this thread, but please refrain from spamming.

5) Try to avoid duplicate reviews. Since every review is linked to this post, what you should do is search it for the album you wish to review before you post it. How? Ctrl + F. Works like a charm.

6) When you write your review, dnt tip3 liek dis, or your review will be deleted

Oh yea...if I forget to link your review to the front page, then PM with a link to it and I'll get right on it.

(new rules may be added as needed)

Megadeth53:

"Animlas" by Pink Floyd
"Among the Living" by Anthrax
"Libertad" by Velvet Revolver
"Badmotorfinger" by Soundgarden
"Metropolis Pt. 2: Scenes from a Memory" by Dream Theater
"Ten" by Pearl Jam
"Somewhere in Time" by Iron Maiden
"...And Justice For All" by Metallica
"Heaven and Hell" by Black Sabbath

Arloest:

"A Matter of Life and Death" by Iron Maiden
"Ghost Reveries" by Opeth

Boxiom:

"Shadow Harts Re-released" by Caliban

Green Finger Llama:

"Cowboys from Hell" by Pantera

robxcore:

"Count Your Blessings" by Bring Me the Horizon

toymachine351

"10,000 Days" - Tool
Crossroads

Sick Boy

"Daydream Nation" by Sonic Youth
Garden State (soundtrack)

porsche944

"Sacrament" by Lamb of God

Despised Icon

"The End is Begun" by Three

Totally Smoshin'

"The Wall" by Pink Floyd
"Led Zeppelin IV" by Led Zeppelin
"Wish You Were Here" by Pink Floyd
High School Musical Soundtrack
Never Drink Sand By The Lapfire Experience
"Straight Outta Compton" by N.W.A.
"Close to the Edge" by Yes
"Machine Head" by Deep Purple
"Kerplunk" by Green Day
"Sublime" by Sublime

Hendo

"Frances The Mute"

Maybe I'll do a few so you should expect lots of classic rock.

I love this thread. Doing one as soon as possible.

Can we do reviews on albums by one author? Like, only review albums by a particular band?

Any album. Any artist.

Yeus. Okay expect a couple White Sripes albums soon then.

I think that 99.9% of the people here do not have the credibility to write a music review. I don't want to hear what you have to say about music if your taste consists of fall out boy and my chemical romance. I think only certain members should do this.

I agree.

Just a suggestion, but maybe it should be that you have to PM or comment Megadeth if you want to write a review. If he thinks you'd write a good review, then he'll grant that person permission to do so. If not, he'll tell them they are not allowed. If they do so anyway, they will be warned.

Nah.

If someone writes a bogus review, then I'll just delete it.

Link my review from teh other thread, I worked hard on it

and I like this idea better than the old way

This is my old A Matter Of Life And Death review, posted in my uber-cool Livejournal.

I'll probably write more as I like doing it.

Caliban - Shadow Hearts Re-Release

Two years after the original "Shadow Hearts" was released, we get the re-issue. The only difference, it has two extra tracks:

1. Everlasting [Bonus Track] [Korea]
2. Bored(O)M [Bonus Track] [Korea]

It's still the same brootal, fast paced, breakdown influenced shit you loved about Caliban. This album is a fine description of what controlled, destructive chaos is. The best part is how they start off with a simple riff, it keeps your heart pounding, knowing that at any moment its going to break off. All the sudden it explodes in your face. Merciless vocals accompanied by dualistic drums, hell breaks loose on the dance floor, fists flying, bodies dropping.

The songs on this album keep you wondering whats going to happen next. You cant surmise whats going to happen in the next few seconds. One moment the song will be delaying with a simple drum pattern, then all the sudden Andy belts out a heart-warming, savage shriek. Thats one thing that makes this band so pleasant. Each song IS different, your not getting a bunch of songs that sound a like.

The bottom line: This album is a must get for any metalcore fan. If you're a mosh warrior who loves merciless breakdowns and fast paced dueling guitars, Caliban can help you.

Rating: 5/5
Myspace: http://www.myspace.com/caliban

Cowboys From Hell by Pantera

Release Date: July 24, 1990
Genre: Post-thrash
Album Length: 57:41
Sounds Like: Metallica (Master of Puppets), Megadeth (Rust in Peace)

Track Listing:
1.) Cowboys From Hell - 4:06
2.) Primal Concrete Sledge - 2:13
3.) Psycho Holiday - 5:19
4.) Heresy - 4:45
5.) Cemetery Gates - 7:03
6.) Domination - 5:02
7.) Shattered - 3:21
8.) Clash With Reality - 5:15
9.) Medicine Man - 5:15
10.) Message in Blood - 5:09
11.) The Sleep - 5:47
12.) The Art of Shredding - 4:16

Pantera
During the years of 1990-2000, Pantera were at their peak years, having the world by the balls with its raw post-thrash metal constantly making the Top 100 on the billboards. It was made up of:

Philip Anselmo
"Dimebag" Darrell Abbott
Rex "Rocker" Brown
Vinnie Paul Abbott

About Pantera

Philip Anselmo's rough, hardcore vocals on the album are one of the first to be known for the time; he kickstarted vocals for many bands of the genre and lived to be known as one of the greatest vocalists of all time.

Dimebag Darrell's slippery, red-hot riffs and solos were considered some of the best created and most original ever, with major influences such as Kerry King, Tony Iommi, Dave Mustaine, Page Hamilton, and Zakk Wylde. Many bands pay tribute to him to this day. He has a signature Dean guitar modeled by himself. (Deceased, 1966-2004)

Rex "Rocker" Brown was a jazz bassist during his high school years in Arlington, Texas. He is considered one of the contributing artists to groove metal, with Dimebag Darrell, playing plenty of backing beats, notably in 'Walk' and 'Cowboys From Hell'.

Vinnie Paul Abbott's drumming technique for Pantera included plenty of complex snare and slow double-bass beats. He is the older brother of Dimebag Darrell Abbott, and was/is in every band Dimebag was.

Cowboys From Hell
Cowboys from Hell is Pantera's fifth album. It's considered by most to be their debut album; it was the first commercially popular album, and a very sharp change in style.

I'll describe the highlight songs first, as I have the most to say about these.

Cowboys From Hell (often abbreviated CFH), the first song of the album, introduces right away the talents of the band, most notably Darrell and Rex, with a simplistic but amazing sounding solo that is a breath of fresh air when compared to the band's glam metal days.

Cemetery Gates, while lulling one into the false instinct that this is a soft song, progressively builds up, louder and louder, and more complex. And it fits in like the last piece to the puzzle that is Cowboys From Hell.

Message in Blood - First and foremost....wow. Absolutely wow. I was absolutely blown away when I first heard this song, I'm not sure about others, but I think that this is definately one of Pantera's best 5 songs. The harmony of all the instruments with Anselmo's vocals is aboslutely mind-blowing. It's a shame that Darrell had to die the way he did.

The Art of Shredding - I think the name describes it all. This song is one of the few songs that I think redefines 'going out with a bang'. If any of the other songs killed the album (not that any of them made the album bad in any way whatsoever), this song sure as hell brought it back. Amazing outro song.

As for the rest of the album...
I'm too lazy right now. I'll update it later. XD

Vocals: 9/10
Guitar: 10/10
Drums: 9/10
Bass: 9.5/10

Overall: 9.375/10

The Murder of Dimebag Darrell
Dimebag Darrell Abbott was shot and killed by Nathan Gale in the Alrosa Villa in Colombus, Ohio, USA on December 8, 2004 while performing at a concert with band Damageplan. He was reportedly shot in the back of the head a total of five times. Metal fans everywhere suffered that day, and many paid tribute with flowers, cds or other merchandise.

This album is reccommended for fans of:
Iron Maiden
Metallica
Megadeth
Led Zeppelin
Motörhead
Primus
Rush

Release: October 30th 2006

Track Listing:
1. Pray for Plagues - 4:21
2. Tell Slater Not to wash his D**k - 3:30
3. For Stevie Wonder eyes only - 4:29
4. A Lot Like Vegas - 2.09
5. Black & Blue - 4:33
6. Slow Dance - 1:16
7. Liquor And Love Lost - 2:39
8. (I Used To Make Out With) Medusa - 5:38
9. Fifteen Fathoms, Counting - 1:56
10. Off The Heezay - 5:38

bold - my favourites

Bring Me The Horizon:

Oliver Sykes - Vocals
Lee Malia - Guitar
Curtis Ward - Guitar
Matt Kean - Bass
Matt Nicholls - Drums

Bring Me the Horizon (or BMTH as often referred to) is a deathcore band from Sheffield, Yorkshire. The band formed in the year 2004 from members of other bands within their local area.[1] They have incorporated elements of death metal and metalcore in their music, resulting in their genre best being described as deathcore[2] into their sound on their debut album "Count Your Blessings" which was released October 30th 2006.

Count Your Blessings:
Count your blessings is BMTH's first debut album after there 4-track EP "this is what the edge of your seat was made for". The album differs from "TIWTEOYSWMF" as it contains more of a death influence throughoutthe album. You can really hear the difference on this album. The tracks are more powerful and hard hitting than their previous. The riffs are much more technical and challenging and the drums are more powerful and technical. Oliver Sykes Vocals are much deeper and diverse than the previous record. He has really improved his voice for this genre and his lyrics have improved also. SO what's the album like.

The first song is a vital part of any album and BMTH don't disappoint with this one. Pray for Plagues is an amazing opener to a great album. It starts with some palm-muted powerchords and dives into a technical passage before Oli lays down the first scream of the album. this then made me want to listen to more, Not bad for a first track. Other highlights of the song are the gang shout of "Count your fucking Blessings" and a vocal part unaccompanied on the word "stood"

The rest of the album doesn't dissapoint either. With fast technical riffs throughout , screaming pinch harmonics, great bass riffs and some immense vocals this is one good album for deathcore lovers. Other highlights of the album are the melodicness of "a lot like vegas" and the intensity of the "black & Blue" solo. There is also an acoustic track "Fifteen fanthoms, counting" which gives a kind of "breather" if you like then you plunge straight into the heaviness of the next song "off the Heezy"

My favourite song on the album is probably "(i used to make out with) Medusa" just beacuse of the complexity of it and the insane solos which grip the listener and has them begging for more.

vocals/lyrics - 8/10
Guitar - 9/10
bass - 7/10
drums - 9/10

OVERALL 9/10

I might write one if I have some spare time.

You may as well just post it here, then I'll link it.

And @ the Pantera review, it seems like you focused more on the band members than the actual album. Still, it was good reading.

Here's another 'un (Opeth's Ghost Reveries). I'm going to put it in a spoiler, since a bunch of reviews out in the open will start to over-extend the length of the page.

[spoiler]

Opeth
Ghost Reveries
Progressive/Death Metal




1. "Ghost of Perdition" – 10:29
2. "The Baying of the Hounds" – 10:41
3. "Beneath the Mire" – 7:57
4. "Atonement" – 6:28
5. "Reverie/Harlequin Forest" – 11:39
6. "Hours of Wealth" – 5:20
7. "The Grand Conjuration" – 10:21
8. "Isolation Years" – 3:51


Since their 1995 debut, Orchid, Opeth have been developing their own unique style and sound, and Ghost Reveries is the result of 10 years of experimentation. At the risk of sounding trite and cliché, you can't fully describe their sound. But to form a general ballpark of it, think Dream Theater, except darker, heavier and, yes, growlier. If you don't know what Dream Theater sounds like, then look them up on YouTube right now.

Many Opeth fans were worried that the band had abandoned their heavy metal roots after the release of 2003's Damnation, which was, for the most part, not metal (but still very good, IMO). Fortunately for the fans, with Ghost Reveries came the return of the metallic crunch Opeth fans know and love, also taking with it the best of Damnation. Really, Ghost Reveries is probably the first Opeth album were the band has true mastery over both the loud and the soft.

Normally, I would do a song by song review, since that's what I almost always do, but Ghost Reveries is best to be thought of as one continuous musical suite, even though it's not a concept album. Yes, I do think this album has its highpoints (the songs I highlighted in bold), but I still won't go into each individual song. The sound, the flow and the structure takes center stage here.

One of the biggest traits of Opeth's style is their integration of heavy death metal and softer acoustic rock. This characteristic is more evident in Ghost Reveries than in any of their previous works, and it is perfectly executed. The transitions from loud to soft are extremely swift, but all the same seem appropriate to the music. Of course, there are three tracks that are pretty much completely soft (Atonement, Hours of Wealth, Isolation Years), but they are shorter and placed in between or after long, hard epics, so they contribute positively to the overall flow of the album.

This album has a very specific and resounding atmosphere about it, that can best be described as haunting and tense. Seriously, this album probably has one of the most distinguishable moods of any album I own. It almost takes you away and into its own little setting.

As far as instrumentation goes, first off, I really have to hand it to the guitars. The riffs, solos and rhythms they play are absolutely perfect, and really make the album's sound what it is. The solos are complex but also melodic; they're not just all-over-the-place shredding. As for the band as a whole, the song structures are very complex; it is progressive metal. But it's not overtly complicated (like Dream Theater can sometimes be) and doesn't completely overpower the structure.

Whatever Opeth has been striving for in their careers, they have definitely achieved it on this record. Pretty much everything just seems right. For me, personally, the only downside is the vocals. Mikael Åkerfeldt is probably my favorite clean singer in metal, when he does sing clean. But, with Opeth, most of the time he growls it seems. I can stand the death growling and screaming, sure, but it's definitely not my preferred style of singing, especially for someone with the vocal capability Åkerfeldt has. Oh well, one of the genres Opeth tackles is death metal, so I guess I should just deal.

Oh, and I guess I should be all OBJECTIVE and stuff. If you have short musical attention span (you don't like long songs), you won't like this album. Simply put. 5 out of the 8 songs are pretty much 8 minutes or longer, with four exceeding 10 minutes. But that's YOUR deal, not mine. >:@



Songwriting: 8.5/10

Complexity: 10/10

Atmosphere: 10/10

Vocals: 7.75/10

Overall: 9.1/10
[/spoiler]

when i have time I'm gonna do enter shikari's take to the skies or parkway drives new album

Sonic Youth- Daydream Nation
Release Year- 1988
Genere- Alternative/No Wave
Commonly Reffered to as the Greatest Alternative album of the 80s. (maybe of all time?)
Ranked #329 on Rolling Stone's 500 Greatest albums of All Time
Inducted by the Library of Congress into the National Recording Registry in 2006

Track Listing:

1. Teenage Riot
2. Silver Rocket
3. The Sprawl
4. Cross the Breeze
5. Eric's Trip
6. Total Trash
7. Hey Joni
8. Providence
9. Candle
10. Rain King
11. Kissability
*12. Trilogy
x. The Wonder
y. Hyperstation
z. Eliminator Jr.

Pre 1988, Sonic Youth were the poster children for the avant-garde, New York, No-Wave scene. With pioneering 3rd bridge technology and the blatant disregard for any kind of tuning in their amps or instruments, how could they not be? But, when 1988 rolled around and Sonic Youth released "Daydream Nation", their undisputed masterpiece, their style shifted.

"Daydream Nation" boasts some of the greatest guitar tracks ever written. With Thurston Moore and Lee Ranaldo's dueling, detuned, Fender Jazzmasters on tracks such as "Teenage Riot" and "Candle", its no wonder Rolling Stone ranked them 34 and 35 respectively, on their list of the 100 greatest guitarists of all time. The 3rd bridge technique (placing a screwdriver or other metallic object underneath the strings on the guitar creating a 3rd bridge) gives Moore and Ranaldo's guitars an almost churchbell like quality that is both odd and mystifying. Daydream Nation is also filled with allusions to other artists and pop culture. Hey Joni is a no-wave tribute to Jimi Hendix's Hey Joe and Eric's Trip refers to an Andy Warhol saga; both songs of which are greatly mastered. The most peculiar track on the album is Providence, which is not so much a song, but a Thurston Moore's piano playing overdubbed with a message left on his answering machine. However, among all the harmonizing and eccentricity, there are a few blistering tracks that are a throw-back to Sonic Youth's days as an avant-garde punk band, such as Silver Rocket and Eliminator Jr.

All and all, "Daydream Nation" is not an album that can be put into words. I, nor anyone else who has ever written a review on this album have done it justice. This is a must have for any alternative listener, and a must hear for anyone period. 10 out of 10

*note: The Trilogy is usually split into 3 separate tracks on the CD version of the album. But, they are to be considered 3 different parts of one entity. And the tracks in bold are what I consider the best on the album.

So far, my favorite review has been robxcore's BMTH. Probably because it was really the only one that really interested me. I've read the other ones, but I think that was the main reason. Cool idea, by the way.

Yeah, you're right. Sorry. I'll update it soon.

DVD review - Crossroads (no, not the Brittany Spears version)



This is one of the all time greatest music films. Any guitarist, beginner, intermediate or advanced, will instantly fall in love with this movie.

Plot - Eugene Martone (you will recognize him as Ralph Macchio from the Karate Kid) is a virtuoso of guitar, and studies at the Julliard School for classical purposes. However, Martone's true drive in life in the blues, and his passion drives him to track down Willie Brown (Joe Seneca), an old friend and harmonica player of Robert Johnson. The two escape from their boring New York lives and escape down to Mississippi (picking up runaway Jami Gertz along the way) and learn the true meaning of the delta blues.

Pros: Fantastic music that will inspire guitarists everywhere and leave them in awe; interesting plot, actors play their parts well.

Cons: Some parts of the movie are slow, will not appeal to everyone.

Summary: A great movie for anyone who loves the guitar, the blues, or just music in general. One of my personal movie favorites.

Rating: 4/5 stars.


Notes:
There is a special appearance and guitar solo by Steve Vai in the movie.

The music was written by blues master Ry Cooder (ranked 8th on Rolling Stone's Hundred Greatest Guitarists).

Written by Walter Hill.

Was Steve Vai the guitar player for the devil? I'm not familiar with his music.

That was him. He's an excellent guitarist.

1. "Among the Living" (Anthrax) – 5:16
2. "Caught in a Mosh" (Anthrax) – 4:59
3. "I Am the Law" (Anthrax/Lilker) – 5:57
4. "Efilnikufesin (N.F.L.)" (Anthrax) – 4:54
5. "A Skeleton in the Closet" (Anthrax) – 5:32
6. "Indians" (Anthrax) – 5:40
7. "One World" (Anthrax) – 5:56
8. "A.D.I./Horror of It All" (Anthrax) – 7:49
9. "Imitation of Life" (Anthrax/Lilker) – 4:22

Album: "Among the Living"

Artist: Anthrax

Similar Artists: Flotsam and Jetsam, Metallica, Motorhead

Initial Reaction:

Anthrax lacks some of the technicallity that other thrash metal bands have. However, they seem to make up for this in excellent song writing ability, interesting lyrics, and the out-of-control instruments (particularly in "I Am the Law").

1. "Among the Living" (Anthrax) – 5:16:
Contains a somewhat pointless minute and a half intro, but when it gets going...wow. Awesome double bass + guitar riff combo.
8/10

2. "Caught in a Mosh" (Anthrax) – 4:59:
Tight as shit intro. This song is an instant thrash classic, and one of my favorites of all time. Pretty cool bass line and (as far as Anthrax goes) a good guitar solo.
10/10

3. "I Am the Law" (Anthrax/Lilker) – 5:57:
Anthrax has got to be the only band ever to have written about a comic book character. Mid-paced beggining and middle sections, but towards the last 2 minutes, the tempo goes up roughly a hundred beats. As I mentioned earlier, one Anthrax's most out-of-control songs.
8.5/10

4. "Efilnikufesin (N.F.L.)" (Anthrax) – 4:54:
First off, read the title backwards. The chorus will make more sense. Anyways, this song contains a memorable riff, but just seems to be lacking something to me.
7.5/10

5. "A Skeleton in the Closet" (Anthrax) – 5:32:
This is why Charlie Benante is one of metal's best.
7.5/10

6. "Indians" (Anthrax) – 5:40
Right from the start, you can tell that this is one of Anthrax's best songs. An absolutely pounding intro which enters into what is arguably the best riff Scott Ian ever played. My personal favorite on the album and a metal masterpiece.
10/10

7. "One World" (Anthrax) – 5:56
This is Anthrax at their heaviest and most aggressive Why this song is rarely (if ever) played live, I will never know.
8/10

8. "A.D.I./Horror of It All" (Anthrax) – 7:49:
The Arabian Douchebag Into to this song is probably the only break you get in this whole album from the pounding metal. The rest of the song is...meh. Unless your a huge fan, you probably won't care too much for this song.
6.5/10

9. "Imitation of Life" (Anthrax/Lilker) – 4:22:
This song contains several different riffs (30 seconds into the song is AWESOME), a few animalistic screams by Belladona and a cool solo. Overall, not very memorable though.
6.5/10

Afterthoughts:
I've been an Anthrax fan for about a year and a half now, and I must say, this album remains my favorite. 5/9 tracks remain live staples to this day, for good reason! As I said, Anthrax is a very technical band. Yet, this album contains revolutionary drumming, inventive basslines and the occasional shred guitar solo. Not to mention, Joey Belladona is probably one of my favorite vocalists of all time. Usually, singers of his style sound retarded in metal, but Joey fits with the music just fine. If you are just getting into Anthrax, I HIGHLY reccomend this album.

Overall: 9/10

thanks
I'll be doing another really soon

wow, so this thread hasn't been forgotten!

American Football - S/t 99'

Words can't describe how amazing this album is. They're able to put so much emotion into it but still keep it upbeat,but is able to tone it down for the amazing singer Mike Kinsella (or Tim) to sing amazing lyrics to go along with the fantastic drumbeats and mellow yet complicated guitar.



that's all i got

GTFO

Why,because i don't listen to METAL!?!?!?!!?!!!!!1!!11!!!!


or it could be because my review sucked...

I don't care what kind of music you write your review on, but as you said, your review sucked.

-------------

Just so everyone knows, this was never actually closed.

Sacrament - Lamb Of God

Walk With Me In Hell - 5:11

Again we rise - 4:30

Redneck - 3:31

Pathetic - 4:31

Foot To The Throat - 3:14

Descending - 3:35

Blacken The Cursed Sun - 5:28

Forgotten(Lost Angels) - 3:05

Requiem - 4:11

More Time To Kill - 3:37

Beating On Death's Door - 5:07



Overveiw

Lamb Of God return with their newest album, Sacrament, released August 22, 2006. Randy Blythe, vocalist, says that it's their darkest and most personal record they've done. "It stems from a lot of depression and a fucked up worldview. In the last couple years I've been going through a lot of weird, bad shit.", comments Blythe.



Walk With Me In Hell - 5:11 - 9/10

This song addresses the destruction of codependency, and features changing and well put together riffs and vocals that far surpass other metal bands.

Again We Rise - 4:30 - 10/10

This song is the best on the album. Featuring technical riffs, amazing vocals, great drums, it just is so well written I can't get enough of it. Awesome

Redneck - 3:31 - 5/10

Awesome riff, but the rest of the song is severely lacking..... C'mon Lamb Of God, you can do better than this.

Pathetic - 4:31 - 9/10

Awesome song. Crazy riffs, solid drums, now this is what LoG really sounds like. They manage to have an original sound without sacrificing anything. Solo is awesome too.

Foot To The Throat - 3:14 - 7/10

A good song, but it lacks originality and feel. It just sounds boring in most parts. The only reason it got a 7/10 is because it picks up in the middle.



Descending - 3:35 - 10/10

Great song. Original, Technical, Absorbing. One of the best on the album, it's put together just perfectly. Awesome.



Blacken The Cursed Sun - 5:28 - 9/10

Awesome song, Great riff, great drums, different vocal style, all put together flawlessly makesthis a great song. Longest song on the album, but it doesn't seem like it. It's flawless and doesn't drag on.



Forgotten(Lost Angels) - 3:05 - 9/10

Sweet song. That's all I have to say. Riffs are solid, drums are awesome, it's original, it flows. Great.


Requiem - 4:11 - 6/10

Average song. Average vocals, its not that original, average drumming, average guitar, average in all.

More Time To Kill - 3:37 - 7/10

Good song, good riffs, atleast it's original. It does pick up in the middle though. Only for hardcore LoG fans.


Beating On Death's Door - 5:07 - 8/10

Good song, fast riffs, fast drums, original, good vocals. Nice stress reliver. This song is good over all.



TOTAL COMBINED SCORE - 8/10, awesome album, good buy.

Review added!

Thank you, I was a dumbass and didn't realize I had to post it myself

Garden State (soundtrack)
Release Year- 2004
Genre- Indie
2005 Grammy Award- Best Compilation Soundtrack for a Motion Picture
RIAA Status- Gold
Compiled by Actor/Writer/Director of the motion picture Garden State, Zach Braff

Track Listing:

1. Don't Panic- Coldplay
2. Caring is Creepy- The Shins
3. In the Waiting Line- Zero 7
4. New Slang- The Shins
5. I Just Don't Think I'll Ever Get Over You- Colin Hay
6. Blue Eyes- The Cary Brothers
7. Fair- Remy Zero
8. One of These Things First- Nick Drake
9. Lebanese Blonde- Thievery Corporation
10. The Only Living Boy in New York- Simon and Garfunkel
11. Such Great Heights- Iron and Wine
12. Let Go- Frou Frou
13. Winding Road- Bonnie Somerville

*bold are my personal favorites


When the movie Garden State was released in 2004, I instantly fell in love with it. The similarities it had to the classic The Graduate were great, and I felt that I could relate to the turmoil that the main character played by Zach Braff was going through. But, it wasn't until I had time alone with the soundtrack to the movie, that I really fell hard.

This compilation album is an absolute masterpiece of indie recording. Personally compiled by Zach Braff for the film, the albums' most notable standouts are the songs by The Shins. "Caring is Creepy" trots along with its catchy indie riff, while "New Slang" with its steady tambourine banging and acoustic work gives the feeling of times pasted. "In the Waiting Line" by Zero has a trippy almost psychedelic feeling with the subtle syth line and haunting vocals. The addition of Simon and Garfunkel's "The Only Living Boy in New York" may have been what sparked the comparision of the film to The Graduate. My personal favorite on the album, "Blue Eyes" by the Cary Brothers, is the type of song that makes you think about that one girl every times you hear it, and almost makes you melt while doing so.

All in all, the soundtrack to Garden State lent enourmous atmostphere and depth to the movie in which is corresponded. But, I feel that is an even better listen without the movie because of the various songs and how they may relate to different highs and lows in a person's life. We all need a soundtrack in our lives. I feel that this may be mine. 9/10

In an effort to improve the quality of the forum, I'm reviving this. If you plan on writing a review, PLEASE read the rules first.

----



Animals by Pink Floyd

Date Released: February 2, 1977

Genre: Progressive Rock

Related Artists: Yes, King Crimson, Led Zeppelin

Track Listing:

Side one

1. "Pigs on the Wing 1" (Waters) – 1:24
2. "Dogs" (Gilmour, Waters) - 17:06

Side two

1. "Pigs (Three Different Ones)" (Waters) – 11:28
2. "Sheep" (Waters) - 10:21
3. "Pigs on the Wing 2" (Waters) – 1:27

Animals marks a turning point in the long, winding history of Pink Floyd. It is the first of the trio of Water's song writing domination, has no female vocals or sax solos (which defined Dark Side), Wright's keyboards are now but background noise and the music is driven by the guitar, which makes them sound much more like hard rock. Fans of Dark Side or new fans all together may shy away because of the album's core is 3 ten minute plus songs. Still, the album has gained a cult following from it's distinctive sound among the Floyd albums. Gilmour shines throughout the album, providing excellent outros to "Sheep" and "Pigs" (the solo in the later is surely one of his most overlooked) in particular. "Sheep" is probably the most un-Floydish song on this whole album, what with it's fast tempo and agressive music/vocals. Meanwhile, "Pigs" plows along at a steamroller's pace, and has relatively soft vocals compared to the other two songs. "Dogs," varies between fast and slow tempos, making it a challenging listen at first. Still, it's worth it, as the last 2 minutes or so of these songs are the best parts.

For the record, this record also stands as my personal favorite by them.

Rating: 9/10

Tool - 10,000 Days



Tool is back, after a brief hiatus, with their critically acclaimed album, 10,000 Days. Receiving mixed reviews from critics and fans, the album has thus far received two grammy nods (best hard rock song for both Vicarious and The Pot) and a Grammy for Best Recording Package. However, to many fans, this album is a major letdown, as their softer, more mainstream edge has caused much of their message to be lost in translation from great works such as Ænima and Lateralus.

Track listing (bolded are personal recommendations):


"Vicarious" – 7:06
"Jambi" – 7:28
"Wings for Marie (Pt 1)" – 6:11
"10,000 Days (Wings Pt 2)" – 11:13
"The Pot" – 6:21
"Lipan Conjuring" – 1:11
"Lost Keys (Blame Hofmann)" – 3:46
"Rosetta Stoned" – 11:11
"Intension" – 7:21
"Right in Two" – 8:55
"Viginti Tres" – 5:02


∞Vicarious (5/10) - Many will argue this is one of Tool's greatest works to date, based on the fact it's one of the few songs that makes sense to them, that they can conceptualize. I come to tell you this is absolute garbage from Tool - mediocre at best, only receiving a five because of the grammy nod that Tool deserved to receive - unfortunately, it shouldn't have been for this song.

∞Jambi (9/10) - This is where Adam Jones shines. With stunning guitar effects and a collaborative effort from Maynard with a talk box, this song is intellectually captivating AND catchy, something few of their songs have been able to do, across a spectrum of their albums. One of the best on ANY Tool album.

∞Wings for Marie, Pt. 1, 10,000 Days, Pt. 2 (x/x) - I will not be rating certain performances by Tool. As an art metal band, their work must be left up to interpretation. I can however, fill you in on these particular performances.

As it turns out, after a bit of research, Maynard wrote several songs for his mother, across several of his musical projects (the other being "Judith" on A Perfect Circle's Mer de Noms). His mother suffered a stroke, leaving her completely paralyzed and wheel-chair bound, and dying 27 years later (approximately 10,000 days, according to Wiki). Through this, Maynard and the band dedicated a full instrumental performance to her, as well as an album title. The outro is the lone sound of a casket closing, one of the most powerful moments in a Tool album today. From a personal perspective, I would give this work 10/10 because of the fan I am, but in the end, you need to listen to it yourself and discover your own interpretation.

∞The Pot (9/10) - An enlightening work of hypocrisy and world slander, a most interesting performance. However, like other works on the album, it has been a little toned down for radio audience. An interesting project nevertheless, a lyrical masterpiece.

Note: If you're a bass man, check out this song. Justin Chancellor controls this song from beginning to end with an absolutely captivating riff.

∞Lipan Conjuring (x/x) - A Tool piece that is simply way over my intellectual boundaries. I fail to see the meaning or importance of this work, although I know one exists. If you have an ideas about, please share, I'll put them here for everyone to see.

∞Lost Keys (Blame Hoffman) (x/x) - See Rosetta Stoned, below.

∞Rosetta Stoned (9/10) - This was my favorite Tool song for a while, mainly because it's an 11:11 story about aliens and Area 51, mixed in with intense vocals and instrumentation. Blame Hoffman was an intro to the song, describing an odd child's upbringing and the doctors that studied him, and Rosetta Stoned is the follow up to it. I can't even begin to describe the complexities of this song, so I'll post links for you to check out.

Note: Every lyric site has a different interpretation of the works, so almost none will be the same. Check the various ones out for yourself, I'll post the one I feel it's closest to. By the way, it's weird.

Rosetta Stoned Lyrics
Rosetta Stoned Youtube Video

Definitely one of their coolest works, near flawless.

∞Intention (6/10) - An alright song, I personally don't like it or find it interesting, but you may. I'm unable to find a music link for it, but it doesn't really matter, it's not that great. A fairly mediocre song, in my opinion. Perhaps I'm missing something.

∞Right in Two (10/10) - Every time I listen to Right in Two, I seriously contemplate something new and different from the previous time I listened to it. It's emotional and intellectual, AND has a good sound. I've seriously laid awake on my bed sometimes, listening to it on a loop over and over again. It's one of my favorite songs, not just from Tool, but from any artist of all time. I will never tire of this song.

∞Viginti Tres (x/x) - At the albums end, we are left with this work. It is most interesting, no doubt, I listened to it multiple times and still miss the grandure of it all. After some research, I found that "Viginti Tres" means 23 in Latin. I thought that number was a ploy for a mediocre movie, but perhaps it has some real life relevance, moreso than I initially thought.



In all, 10,000 Days is a great album, very smart, but it falls short from it's more intellectually complete brethren. I believe it became too mainstream, and hopefully, next time when I wait months for a Tool album, they will have returned to their roots. Still, I find myself still pondering over many aspects of this album, and no doubt I will continue to do so until the next one is released. Highly recommended, but get Ænima and Lateralus first.

Final Score: 8.5/10

NOTE: The album case itself will be the coolest fucking thing you have ever seen. Even if you don't like Tool, buy it for the case.

3 - The End Is Begun



1. The Word Is Born Of Flame
2. The End Is Begun
3. Battle Cry
4. All That Remains
5. My Divided Falling
6. Serpents In Disguise
7. Been To The Future
8. Bleeding Me Home
9. Live Entertainment
10. Diamond In The Crush
11. Shadow Play
12. These Iron Bones
13. The Last Day

Music video for "All That Remains"
Live performance of the first 2 tracks
Myspace

Woodstock, New York's 3 (Three) is probably one of the most overlooked and underrated progressive rock acts. A masterful blend of flamenco-style guitar, electric, and 2 sources of percussion allow 3 to achieve aurally fascinating and catchy tunes. 3 recently caught the eye of Dream Theater's Mike Portnoy, and was chosen to support Dream Theater on their upcoming tour with Opeth and BTBAM. Before The End Is Begun, 3 has had several releases: Paint by Number (1999), Half Life (2002), Summercamp Nightmare (2003) and Wake Pig (2004).

They began with brothers Joey Eppard on guitar/vox and Joshua Eppard (ex-Coheed and Cambria) on drums, with the addition of Chris Bittner on bass. They were particularly well-received at Woodstock '94 and signed to a label 4 years later, but suffered the loss of Josh on drums. In 2005 they signed with Metal Blade records (Job for a Cowboy, Unearth, As I Lay Dying).

I saw 3 for the first time when they supported Coheed and Underoath in 2004 I believe. I had never heard of this band before, and was slightly taken-aback by their strange appearance (lead guitarist Billy Riker donned a fluorescent orange beanie and a Zelda shirt, and percussionist Joe Stote sported a strange monk-like haircut). However, all preconceived notions were dashed once they began their short set. I was immediately drawn to Joey Eppard's acoustic guitar-playing, as he explored the body and the neck of his Ovation unlike anything I've ever seen before. His strikingly unique vocal style (Very coheed-ish but cleaner and less whiny in my opinion) also added a lot. Percussionists Stote and Gartdrumm fed off of eachother very well, and Riker's dark rhythmic riffage was the perfect compliment to Eppard's acoustic work. Overall 3 probably had the best set of the night, as Underoath just sucks in general and Coheed seemed to lack energy.

On to the album at hand: Not much can be verbalized about this without demanding a listen. It's an absolutely incredible album, but goes unnoticed by many. It begins with "The Word Is Born of Flame", a song marked by a western-European, medieval sounding acoustic intro. Eppard's angelic, reverberating voice brings the song to a heavenly level. Halfway through, a drumroll sets off the rest of the song, which shifts from pure acoustic to progressive electric riffage (very Led Zeppelin-esque) and an acoustic backdrop. The outro is marked by a drum beat reminiscent of Ted Nugent's Stranglehold, and the next song ("The End Is Begun") begins without a second's delay.

The title track of the album is arguably the best song. It begins with flamenco-style strumming by Eppard, which is then matched by Riker's upstroke/downstroke palm muting. The vox kick in with a flamenco backdrop. The pre-chorus consists of Eppard's vocals harmonizing with synthetic sounds, and the chorus following suit. Riker later demonstrates his abilities on electric guitar with a rather technical solo, and the song continues with another pre-chorus/chorus. The outro is very similar to the intro.

Other notables include "All That Remains" and "These Iron Bones."

If you're a fan of Rush, Coheed and Cambria, Dredg, Porcupine Tree or just music in general, this album is a must-have.

Final Score: 9.4/10

Pink Floyd: Wish You Were Here



9.5/10

Well I wish I were there during the recording! (Hilarious, aren’t I?)

Track Listing:


Side one
1."Shine On You Crazy Diamond (Parts I-V)" Personally Recommended Track (David Gilmour, Roger Waters, Rick Wright) – 13:31

You can listen to it here, well most of it anyhow:
http://ca.youtube.com/watch?v=vyqgjCKm9nQ&...feature=related

2."Welcome to the Machine" (Waters) – 7:30

Side two

1."Have a Cigar" (Waters) – 5:08

2."Wish You Were Here" Personally Recommended Track (Gilmour, Waters) – 5:26

You can listen to it here: http://ca.youtube.com/watch?v=IXdNnw99-Ic

3."Shine On You Crazy Diamond (Parts VI-IX)" (Gilmour, Waters, Wright) – 12:28


‘Wish You Were Here’ is one of the most well remembered albums by Prog. Rock band Pink Floyd. One of its most memorable attributes is its 9-part song divided into 2 songs called Shine On You Crazy Diamond. It starts off with the first five parts of the Shine On You Crazy Diamond, which begins with the first few minutes with a very light organ and guitar solos, which eventually explodes into an anthem for their old guitarist, Syd Barret. Wish You Were Here, my personal favourite track also pays tribute to Syd Barret in the form of a soothing ballad. That is one of the meanings behind this masterpiece album.

It also explores the corruption of the music industry, in the songs Have A Cigar and Welcome to The Machine. Welcome to the machine uses a lot of synthesizers, which is one of its most memorable attributes. The words describe the rise and fall of an aspiring musician who is torn to shreds by the music industry. Have a Cigar is similar, but is approach as more of a blues song. It’s also not sung by a Pink Floyd member, as Roy Harper actually sings it. It also has one of the best lines ever: “Oh by the way, which ones Pink?” which is the question people used to ask when they thought Pink was a person rather than the band as whole.

Pros: The musical value of the album is very high up there, as some of the songs are the most memorable of all. The lyrics have solid meaning and it has something for everybody.

Cons: It leaves you a tad waiting at times for a bigger format, but this is largely taken away once you get to it, therefore making it nearly perfect in my eyes.

That wraps up my review on Wish You Were Here.

Not to be picky, but your review also needs to include a "track pick" and some links to it. Otherwise it was good.

Whats a track pick?

Favorite song(s)

Lemme know if its good now. If so I'ma start a High School musical review.

Do it. I've been wondering on whether or not that would be a good buy.

Yes. I AM doing it.



High School Musical and Soundtrack

DUN DUN DUN!

First for your feature presentation.

At my high school, this wouldn’t have happened. Cause well… We’re totally kick-ass.

Well. I saw this movie once in grade 8 during late summer. You know. Nobody wants to
teach so they throw on awful movies. Anyways, so we were watching it, and straight away I was thinking: “This is going to be dreadful.”

A lot of people have never seen it but still call it awful for the fact it is in fact a Disney movie. Sure. This is partly true… But… Well. Keep reading.

So this movie is a Grease rip-off sort of. But it’s more directed at the 8-year-old audience. You know, in between watching Hannah Montana and That’s So Raven, they pop in this perfection of a child’s film (That was half sarcasm, the perfection part at least).

In the movie two people from the two different sides of the high school pyramid (Gabriella the Math Master and Troy the Basketball Playa-playa) meet at a New Years Eve Party, where they sing a Karaoke song together and sparks fly. THEN… It turns out that the Gabriella transfers to Troy’s school. They get in detention together, and then they meet again at the musical sign-up sheets. So eventually Troy is at his basketball practice and he can’t stop thinking about her. Eventually they audition for the musical together… And the basketball team doesn’t take kindly to Troy and his obvious Queer-ness. This leads up to a climax where the antagonist, Sharpay and her really, really gay acting but he’s not really so it’s not okay brother, Ryan, are trying to ruin everything because they are their competition for the musical!!! Oh my god! It’s a guy overcoming the fact nobody liking something he does because it’s not textbook! And there’s a girl trying to ruin everything! Too original, huh? Even though it’s obvious what will eventually happen… Go watch it and have a laugh or two.

So the story is pretty easy to recite. Two people in “love” while everyone else is against them. It’s actually not an awful movie/musical; it’s not hard to sit through. It’s not funny, but it’s entertaining to an extent. A definite must-see for 8-12 year old girls who think Zac Effron is hot shit.


Now for the tunes.

Soundtrack!

The soundtrack is very… Well… Must say awful. I can barely remember the songs after just listening to them to get the idea into my head. But, let me tell you all a bit about these songs… You hear?

Track Listing:

1. "Start of Something New" (Gabriella & Troy)Drew Seeley – 3:16
2. "Get'cha Head in the Game" (Troy and Wildcats)Drew Seeley – 2:27 Recommended.
3. "What I've Been Looking For" (Sharpay & Ryan) – 2:03
4. "What I've Been Looking For (Reprise)" (Gabriella & Troy)Drew Seeley – 1:19
5. "Stick to the Status Quo" (Martha, Zeke, Ripper, Ryan, Sharpay, Chad, Taylor, Kelsi, Jason & High School Musical Cast) – 4:28
6. "When There Was Me and You" (Gabriella) – 3:00
7. "Bop to the Top" (Sharpay & Ryan) – 1:47
8. "Breaking Free" (Gabriella & Troy)Drew Seeley – 3:27
9. "We're All in This Together" (High School Musical Cast) – 3:51
10. "I Can't Take My Eyes Off of You" (Gabriella, Troy, Sharpay, and Ryan) – 2:51
11. "Get'cha Head in the Game (Pop Mix)" (B5) – 2:43
12. "Start of Something New (Instrumental)" –3:16
13. "Breaking Free (Instrumental)" – 3:42

Special Edition Disc 2 Tracklist:
1. "Start of Something New (Instrumental)" - 3:31
2. "Get'cha Head in the Game (Instrumental)" - 2:37
3. "What I've Been Looking For (Instrumental)" - 2:13 Recommended.
4. "When There Was Me and You (Instrumental)" - 3:15
5. "Bop to the Top (Instrumental)" - 2:08
6. "Breaking Free (Instrumental)" - 3:42
7. "We're All in This Together (Instrumental)" - 4:13
8. "I Can't Take My Eyes Off of You (Instrumental)" 3:07

So 10/21 of these songs are instrumentals and one is a remix. I’ve listened to a couple. And even though I’m more of a classics man… I’ve recommended some of the less disgusting songs up on the track listing. The songs with lyrics are sung in the amazingly super movie. Most are related to the plotline. So… The lyrics meaning is simple. My personal recommendations are above.

Movie Review: 3/5. Not Great, but then again, it doesn’t appeal to my demographic.

Soundtrack Review: 2/5 Say you’re a miner. This is like finding 21 rocks, with a few rare gems. And by gems I mean shinier-than-the-average rock.

That about wraps up the review of the GREATEST MUSICAL OF ALL TIME.

Dun nun nun nun.

Rocks by Aerosmith

1. "Back in the Saddle" (Steven Tyler, Joe Perry) – 4:40
2. "Last Child" (Tyler, Brad Whitford) – 3:28
3. "Rats in the Cellar" (Tyler, Perry) – 4:07
4. "Combination" (Perry) – 3:39
5. "Sick as a Dog" (Tyler, Tom Hamilton) – 4:12
6. "Nobody's Fault" (Tyler, Whitford) – 4:25
7. "Get the Lead Out" (Tyler, Perry) – 3:43
8. "Lick and a Promise" (Tyler, Perry) – 3:05
9. "Home Tonight" (Tyler) – 3:18

Date Released: May 3, 1976

Similar Artists: Pearl Jam, Led Zeppelin, Guns n Roses

Rocks is not only Aerosmith's best album, it is also one of the greatest hard rock records ever produced. All nine of these songs are hard rockers, out to stand the test of time. It opens with "Back in the Saddle," which boasts a growling bass line and some of Tyler's best screams. "Last Child," probably the band's best known song, goes a little bit slower than the rest of the album, but has some of the finest guitar interplay of all time. Still, I think they could've expanded on it. "Rats in the Cellar" is probably the fastest on the whole album, with a cool main riff. "Combination" is my favorite on the whole album though. The vocals kinda float above the music, instead of cut through as they usually do, which is a cool effect. The song also boasts one the greatest guitar solos and best drums lines ever. "Sick as a Dog" is what I see as the low point of the album, and the only one I don't enjoy listening to. "Nobody's Fault" has gone on to become the most influential song on this album, with both Slash (GnR) and James Hetfield (Metallica) citing it as an influence, and the underground thrash metal band Testament even recorded a cover of it on their New Order album, which is arguably better than the original. As for "Get the Lead Out" and "Lick and a Promise," they're two more rockers, which don't stand out that much from the rest of the album. "Home Tonight," the closing ballad, is perfect way to end the album.

All in all, a very consistent album, with some songs going on to become legends. When compared to their other work, it clearly surpases "Toys in the Attic" in consistency and doesn't get dragged down by the cheesy ballads that would plauge their later albums. Anyone who is a fan of hard rock in general, absolutely NEEDS this album.

Score: 10/10

Album: Led Zeppelin IV (AKA Four Symbols Album)



Band Members: Robert Plant, Jimmy Page, John Paul Jones, John Bonham

Genre: Rock/Blues/Folk

Overall Rating: 97%

Side one

1. "Black Dog" (Jimmy Page, Robert Plant, John Paul Jones) – 4:55
2. "Rock and Roll" (Page, Plant, Jones, John Bonham) – 3:40
3. "The Battle of Evermore" (Page, Plant) – 5:38
4. "Stairway to Heaven" (Page, Plant) – 8:01

Side two

1. "Misty Mountain Hop" (Page, Plant, Jones) – 4:39 Recommended
2. "Four Sticks" (Page, Plant) – 4:49
3. "Going to California" (Page, Plant) – 3:36 Recommended
4. "When the Levee Breaks" (Page, Plant, Jones, Bonham, Memphis Minnie) – 7:08 Recommended

This is one of the greatest albums ever. It has a lot of variety, and is probably the best 42 minutes you’ll ever spend. Often referred to as the magnum opus of Led Zeppelin, it has some of their most remembered material. This album never really was given a name, but was given four symbols instead. Still, most people call it Led Zeppelin IV. Let me tell you a bit more about the exceptional music.

Black Dog… 9/10 - http://ca.youtube.com/watch?v=T2M6yV6mueg

This is a great song, which from the beginning you know is going to be great. It starts with Plant signing a line with the rest of the band following with its recurring riff. This happens a couple times and the riff extends into its chorus, and it eventually repeats this format. It fades out with a lengthily solo, one of my favourites. This is definitely a classic, and one of the strengths of the album

Rock and Roll…9/10

This is another great song, in the same key as Black Dog, and is a nice example of what 12 bar blues is. This song was invented when making Four Sticks wasn’t going so well.. So thank god for Four Sticks’ difficulty! Right at the beginning when you hear the drum opening you know its going to be great. A con might be, that the song prior to it and it itself have a little too much in common of sound. But the tempos are different.

Battle Of Evermore…9/10

This song is a break from the hustle and bustle… The harmonies between the two vocalists/mandolins and guitars is sublime. It’s a great song, the only con may be, there is no drumming, and I would’ve loved to see what Bonham could’ve done with it.

Stairway To Heaven…8/10

One of the most overrated songs of all time, but it’s still amazing. It’s a soft ballad, which erupts into a legendary guitar solo. This is what a lot of people call Led Zeppelin signature song (and like 10 Led Zeppelin “fans” I’ve met say they’re huge fans and they can’t name anything other than this one). I like this song a lot, but it overshadows a lot of their other greater tracks.

Misty Mountain Hop…10/10

Probably one of my favourite Led Zeppelin songs, this is a simpler song, that involves a cool vocal and instrumental harmony, and even though the instruments go out of sync for a second at about 2:12, it is still a powerful song, that is a definite recommendation.

Four Sticks…8/10 - http://ca.youtube.com/watch?v=pieNOrkl7A8 (Most of it.)

The best part of this song is because it took so long to make, due to the drum line, Rock and Roll was created from frustration. So let’s get to the song. It’s a tad repetitive, but the use of four drumsticks (do you get the name now?) gives a little effect you sort of notice. It’s a great song, but not one you’ll remember very well most likely. If there had to be a weak link, this would be it.

Going To California…10/10 - http://ca.youtube.com/watch?v=LHFjjfzHZow

Probably my favourite song on this album, it’s a soft song, with a great mandolin part, and soft lyrics, a different tuning (DADGBD for all those that care about guitars). I won’t lie, I was ready to cry the first time I heard this song… But I didn’t.

When The Levee Breaks…10/10 - http://ca.youtube.com/watch?v=4-AanPHMbC4

Listen to that drum opening. You know this will be a great song. It really sounds like storms-a-brewing, with the relentless guitars, and the amazing harmonica. Hands down, it is a powerful song and I can imagine waving my hands in the air to this song.

--

And so ends one of the greatest Led Zeppelin albums ever made. This is a definite must for anyone whose into blues, folk or rock.

I like your music taste, Totally Smoshin'.
So long as you're not seriously into High School Musical - which I don't mean to stress or offend anyone who does - you're a friend of mine.
I look forward to reading more of your reviews at some point.

I concur. Plus, they're well written.

Thanks for the thumbs up, and no I don't really like High School Musical... Just thought it'd be fun.

THE WALL



All songs by Rogers Waters Except where noted.

1. "In the Flesh?" – 3:19
2. "The Thin Ice" – 2:27 oLead vocals: David Gilmour and Roger Waters
3. "Another Brick in the Wall (Part 1)" – 3:21
4. "The Happiest Days of Our Lives" – 1:46
5. "Another Brick in the Wall (Part 2)" – 4:00 oLead vocals: Roger Waters, David Gilmour and the Islington Green School Choir
6. "Mother" – 5:36 oLead vocals: David Gilmour and Roger Waters
7. "Goodbye Blue Sky" – 2:45 oLead vocals: David Gilmour
8. "Empty Spaces" – 2:10
9. "Young Lust" (Roger Waters/David Gilmour) – 3:25 a.Lead vocals: David Gilmour
10."One of My Turns" – 3:35
11."Don't Leave Me Now" – 4:16 a. Lead vocals: Roger Waters, "ooohh babe.." section at the end sung by David Gilmour
12."Another Brick in the Wall (Part 3)" – 1:14
13."Goodbye Cruel World" – 1:13

14."Hey You" – 4:40 o Lead vocals: David Gilmour and Roger Waters
15. "Is There Anybody Out There?" – 2:44
16. "Nobody Home" – 3:26
17. "Vera" – 1:35
18. "Bring the Boys Back Home" – 1:21
19. "Comfortably Numb" (David Gilmour/Roger Waters) – 6:24 a. Lead vocals: David Gilmour (bridges and chorus) and Roger Waters (verses)
20. "The Show Must Go On" – 1:36 oLead vocals: David Gilmour
21. "In the Flesh" – 4:13
22. "Run Like Hell" (David Gilmour/Roger Waters) – 4:19
22."Waiting for the Worms" – 4:04 a. Lead vocals: David Gilmour and Roger Waters
24. "Stop" – 0:30
25. "The Trial" (Roger Waters/Bob Ezrin) – 5:13
26. "Outside the Wall" – 1:41

This is The Wall. The Wall is a concept album by Pink Floyd, and arguably one of their best. It follows the story of a boy named Pink, who eventually builds a Wall to isolate himself from society. This album also has a film following the storyline.

In The Flesh?… 9/10 - The movie version, not as good as original but couldn't find it - http://ca.youtube.com/watch?v=XGtKXMAgbVk

This song opens with 15 seconds of light Clarinet, and you can faintly hear “We Came In?” at the beginning. Then the band comes in, with a minute instrumental, with a nice riff. They then start singing, which is apparently narrated by Pink, and how he is about to tell you all the story of how his father was killed and how everything came to be. This is a very powerful song. Very underrated.

The Thin Ice… 9/10

This song is a calm song, which deals with Pinks life while he was young and couldn’t grasp his father’s death. It takes the form of a ballad, and has pretty great lyrics. It lacks a bit of power, but it’s still a great song.

Another Brick In The Wall, Pt 1…8/10

Pink can finally grasp the fact that his father has died in war and starts to build to wall, to isolate him from the world and the pain it causes. It’s a great tune with a guitar part that will be a trademark of this album. It does run on a bit long, making you wonder when the next song is, but the simplicity is a pretty good factor.

The Happiest Days Of Our Lives…7/10

This narrates Pinks hatred for the harsh schools. It has powerful bass and has a really good singing voice for the song. It’s a little forgettable compared to other tracks, and not particularly one of my favourites.

Another Brick In The Wall, Pt 2…9/10

In this song, Pink sentences the schools as a brick in the wall, and even has a fantasy where the children overpower the teachers and destroy the school. It is one of Pink Floyd biggest hits for its memorable lyrics that really make you want to sing along. And the choir and guitar solo add to its power.

Mother…10/10

A great song about Pinks overprotective mother. It’s a calmer song, but has great lyrics, and I’d say it could be a sing along. A definite must for any Floyd fans.

Goodbye Blue Sky…8/10

This song details Pinks hatred of the world he is growing up into, with war and an overprotective mother. He also will grow up and become a rock star. A great song with nice “ooooooo”‘s and stutters.

Empty Spaces…6/10

One of the worse songs, it is about how Pink has gotten married, and how he and his wife are having a tough time connecting due to his wall blocking him from most social contact. It has a lot... Of well empty space where more could have been included.

Young Lust…10/10

A powerful song that has more of a rock feel to it. Pink’s wife is back at home while he is touring due to his rock star lifestyle, so he starts inviting groupies into his rooms. It has a lot of power and is one of the songs where Gilmour was given writing credit.

One Of My Turns…9/10

This song is one of the more powerful soft songs. With great lyrics about how Pinks wife has an affair. He eventually learns about it and invites a groupie into his room (the female voice at the beginning is this groupie) and eventually freaks out trashes his room chasing her.

Don’t Leave Me Now…8/10

This song explains a sort of love-hate relationship with his wife. He is begging her not to go in one line, so he can put her in a shredder in the next line. It has good screamed lyrics at times, and like One Of My Turns it erupts near the end, which may be a flaw considering it is too alike.

Another Brick In The Wall, Pt 3…9/10

The most angered part of the trilogy, Pink is furious with his wife and dismisses her as the final brick in the wall. It represents the climax of this disk. This song has a lot of power to it.

Goodbye Cruel World…10/10

A great way to end the first disk. With powerful bass, and powerful lyrics, it ends abruptly. One of the best underrated songs on the album.

Hey You…9/10

Great opening guitar, and a song that will erupt. It is one of the best on this album. Pink may have realized building the wall was a mistake. He is afraid he has isolated himself from his peers forever. A great tune to listen to anytime.

Is There Anybody Out There?…10/10 - http://ca.youtube.com/watch?v=H-oLx8aynsY

My favourite song of this album, it deals with Pink asking “Is There Anybody Out There?” 4 times until it fades down into a classical guitar solo, which is a bit haunting but truly represents the pain of isolation.

Nobody Home…9/10

A great sad song, about Pinks loneliness behind his wall. It doesn’t fall short of any of the other songs. It still remains on the more powerful songs on the album. You can also hear TV in the beginning and end, representing he has nothing to do but watch TV.

Vera…8/10

This brings us back to Pinks fathers’ death, and how Vera Lynn (a singer for the WW2 who wrote a song about how families would meet again) is gone, along with her promise. A weaker link on the album, but its counterpart helps make up for it.

Bring The Boys Back Home…9/10

An angrier song, it represents the climactic part of these two songs. Pink wants them to bring the boys back home so he can finally meet his father. He eventually is overrun with pressure (the overlapping voices at the end of people asking him things) and he asks is there’s anybody out there and faints. Definitely more powerful than its counterpart.

Comfortably Numb…10/10 - with movie scene http://ca.youtube.com/watch?v=tkJNyQfAprY

This is another great song about how Pink is given drugs to ease his pain so he carry on with his concerts. It has a grungy feel to it, and has some great guitar work in it. One of this album’s highlights.

The Show Must Go On…8/10

Pink doesn’t want to do his concerts, nor does he want to go on with his lifestyle, but the show must go on, but it seems as if the drugs are kicking in. This has great vocal performances all around.

In The Flesh...9/10

The first part of Pinks rise to becoming a fascist dictator, this is where Pinks drugs kick in and he is no longer himself but a “surrogate band” who turns his fans into his fascist followers. They then take to the streets. This song has the same basic riff as the first song on the album, but has an added verse, a solo choir part and much more racy lyrics.

Run Like Hell…10/10

A powerful song with great guitar, and powerful lyrics of Pinks followers destroying the town. It is definitely one of the most powerful songs on the album, and is easily a classic. It has a nice contrast: It sounds sort of upbeat then the lyrics kicks in which fight with that thought.

Waiting for The Worms…10/10 - http://ca.youtube.com/watch?v=xSAWvzH1c9s

Easily a great song, it involves Pinks final phase before his epiphany. It starts with a major part of Gilmour and backing vocals and leads up to the “Waiting..” part, which involves a lot of references to Hitler and WW2. Eventually the song carries on with hard to understand commands from likely a general/officer ordering his troops around. Eventually you hear a scream say “STOP!” which is the start of the next song.

Stop…9/10

This is a 30 second piece, which I would rat on, if it weren’t good the way it is. Pink has finally realized maybe the wall was a bad idea to build, and wonders “Have I been guilty all this time?”


The Trial…10/10 - the Original Movie Scene! Oh Em Gee - http://ca.youtube.com/watch?v=FCMHmDnfD6I

The albums climax, which involves great orchestra, and a lot of cameo appearances from our favourite The Wall characters! Hurrah! In this song Pink creates a Trial in his mind, where he is put on trial by his mother, his teachers and his wife. They all turn on him except for his mother who begs for the judge to let her take him home because she never wanted him to get into trouble. The judge is so mad he could “defecate”… Yep. Defecate. That’s what they say. So he sentences Pink to tear down his wall. This song is the most powerful song on the album; it puts all the others to a halt. Its ends with an on running chant “Tear Down The Wall!” and then you hear crumbling debris, and it seems like it’s all over.

Outside The Wall…10/10

Pink is free from his wall. The song details how Pink has escaped. But are the people who he left still waiting for him? After all, they can only wait so long. This song is soft with clarinet and backing vocals from children. Its melody is identical to that of the opening of In The Flesh? because the two sync in together. At the end of Outside The Wall you can hear “Isn’t This Where...” and then at the beginning of In The Flesh?, you’ll hear “…We came in?” which leads you to believe people fall in Pinks footsteps, building the same life, of self hatred and realisation. A great way to end this album.

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This album encourages us to get on with our lives and break down our fictional walls that block us from human contact. It is musically sublime and great for any Prog. Rock fan.

Album Review: 9.5/10.. Hot damn!

Dun nun nun

I think I'll take a break from writing these now, I've been writing too many.